Discreet automation, screening rooms and security for estates where privacy is not a feature. It is the brief.
Working in Beverly Hills means working around a household, not just a house. Estates here run with staff, landscapers, security details and a steady rotation of guests, and the technology has to serve all of them without ever being discussed. Our systems are engineered for exactly that: one calm interface for the owners, limited profiles for the household, and equipment that disappears into architecture that took years to get right.
Cameras that read as design details. Gate and entry systems that recognize the family and log everyone else. Keypads aligned to the millimeter with the marble they sit on. We install surveillance and access control that insurance and security consultants approve of, without the fortress look. Recordings stay local and private, and remote access is locked to the people who should have it.
Most of our Beverly Hills projects arrive through architects, builders and designers. We speak their language: drawings, spec sheets, site meetings and clean documentation. When the house is handed over, every rack is labeled and every system documented, so any future contractor understands the work in minutes.
Beverly Hills holds several different briefs inside one postcode. In the Flats the houses are wide and formal, and the work is usually about lighting and shading a great deal of glass without a single visible box. In Trousdale Estates the mid century plans are open and single storey, with long ceiling runs and very little wall to hide anything in, so speaker and keypad positions are settled on the drawings rather than on site. North of Sunset, through Benedict, Coldwater and Franklin Canyon, the lots climb and the gate can sit a long way from the house, which turns access control and camera coverage into a cabling question. In the Post Office area the parcels are larger and often open on one side, so the perimeter design matters more than the interior one.
The other constant is the household. These homes run with staff, a security consultant and a steady rotation of guests and vendors, so we design permissions before we design scenes: who can unlock what, who sees which cameras, and what a guest profile is allowed to touch.
Yes, and it is one of the first things we set up. Owners keep full control, staff get the rooms and functions they need, and guests get a simple profile with no access to cameras, locks or settings. Any profile can be changed or revoked in minutes.
Only where you want them to be. We align keypads to the tolerances your designer works to, choose camera housings that read as architectural details, and put the equipment rack somewhere no guest ever sees. Discretion is a design requirement here, not a preference.
Recordings stay on local storage inside the house by default. Remote access is limited to named people on named devices, and views can be logged. If your security consultant works to a standard, we build to it.
Most of our Beverly Hills projects arrive that way. We work in drawings and spec sheets, attend site meetings, and hand over labeled racks and documentation so any future trade understands the system in minutes.